Bennett Drums

News and Updates

Ringo Starr Video Shoot 3/19

Ringo Starr is getting ready to go on tour with another Ringo Starr’s All Starr band. They’re coming to Seattle in July. I will definitely be there. His shows are always a blast. He was doing a video shoot yesterday up in the Hollywood hills. Here’s a shot of his drum kit. He has a new set of Ludwigs currently being made for the tour. I can’t tell you what the finish is other than it’s not a color I would expect from Ringo. I’ll put up a photo as soon as I get the OK.

My week started out looking like the most exciting thing I’d be doing this week was holing up in my office posting cymbals on my website. Monday afternoon I get a call from the legendary Simon Phillips. He says he’ll be in town tomorrow with Japanese jazz pianist Hiromi. He’s renting a kit for the show but the back line company doesn’t have any octal-bons. He want’s to know if I can find him some by the next day. I don’t have any or know anyone who does. This is where knowing virtually every drummer in the northwest comes in handy. After a few calls, texts and Facebook posts I have octa-bons coming out of my ears. My old friend Jeff Mills has a set and agrees to bring them down to the club. Simon hooks him up with some tickets and everybody’s happy.

About an hour later I get a call from Steve Smith. He tells me he’s coming to town with the Masters of Percussion with Zakir Hussain for a show at the Moore Theater on Thursday night. He says he’ll be coming in Wednesday and is planning on going to see Simon and Hiromi so we all arrange to meet up at Jazz Alley. Steve shares the Hiromi gig with Simon. If you’ve never seen Hiromi she is an amazing jazz piano player.  Her music is very complex and the drum parts are nearly impossible. She always chooses the very best drummers and gives them plenty of room to move.

I was extremely fortunate to be able to watch Simon Phillips, one of the greatest drummers in the world, while sitting next to Steve Smith, another world great. Steve patiently coached me along explaining the complex time signatures and arrangements as they played. Not a bad wednesday night.

I hope to see Steve with the Masters of Percussion tonight. I have a rehearsal with my band but the second we finish I’m heading for the Moore to catch as much of the show as I can. Hopefully I’ll have some more news and pics to post tomorrow. Until then…

Ive been working on a major restoration of a Top Hat and Cane set for nearly a year now. When I got the set it was basically in pretty good shape but was definitely show signs of its 70+ years. The shells were grimy, the nickel hardware had lost all of it’s shine, a few pieces were missing and some new tom mounts had been put on the toms. Probably because this set is such an historic, iconic, beautiful and valuable set I got very inspired to really bring this set back to it’s original majestic condition. If you’ve ever seen a Top Hat and Cane set you’ll know what I mean. I was also inspired by the stories and photos I received about the original owner.  I’ve been tracking down all of the missing parts and sending parts all over the country for polishing  and  restoring. If you look closely at the nickel hardware on the 11″ tom you’ll see it’s considerably shinier than the rest of the set. I had the hardware on the 11″ buffed with a buffing wheel. The rest was done by hand. Once I saw how much shinier the hardware done on a wheel was I broke down, stripped the remaining hardware off and sent it to be machine buffed. I will be writing an article for NSMD magazine detailing the entire restoration process as soon as it’s done. I’ll keep updating as things progress. With any luck it should all be done in about a month. Until then, here’s a few photos of the set in progress.


I saw Ginger  Baker at Jazz Alley in Seattle last night with his band Jazz Confusion. A pretty amazing experience. It was a great show. I’m going to try to get back there tonight.

Ginger Baker is pretty grumpy. I had the good fortune to meet him before the show. He was so cranky it was endearing. I think it’s partly genuine crankiness and partly his very dry, dark english sense of humor. Half way through the emcee’s introduction Ginger barked at him in the mic  ”get off!!”, motioned abruptly, pointing the emcee off stage and just started playing. When he came back for an encore he said “you just want to see me die”. It was pretty funny but judging by his wheezing voice it was not entirely out of the question. He was like a cranky old grandpa who didn’t want to get off the couch after Thanksgiving dinner.

 I met Alan White at the show and he asked me if I’d like to go back and say “hi” to Ginger before the show.  Ginger was telling Alan the whole time before the show how we was too tired to play, he said he couldn’t do the show. Alan basically told him to “shut up and get onstage”, “once you’re up there you’ll forget all about it”. Which he did. Everyone thought it was because he’s so old but Alan said he used have the same conversation almost every night when he was a member of Ginger Baker’s Air Force back in the 70s.
It was funny listening to them talk. Alan’s english accent always notches up whenever he talks with another Brit. They basically speak another language. Ginger was clearly not in very good health but his playing was awesome. He was SUPER solid, played thunderous tom fills and was extremely musical. The deep groove was tangible. There was some really cool interaction between Baker and his percussionist Abass. They have a long connection rooted over 40 years ago in Nigeria.  Abass’ uncle was one of the musicians that Baker first played with when he moved there in 1970. Abass’ was only 10 years old at the time.
His drum set was DW. The snare and bass drums were the same green DW drums he played at Royal Albert Hall for the Cream reunion. The toms were backline rental sourced here in town. He brought his own cymbals,  a combination of old and new. His hi-hats and riveted ride looked like old A’s. The rest were various modern Zildjians. The whole kit roared. he hounded the sound man all night to turn up his hi-hats in the mix onstage. I think he’s probably getting a little deaf. His monitor was 20 inches from his ear. I was sitting about 40 feet away with his monitor pointing right at me and I could hear it louder than anything in the band!!
 Ginger Baker REALLY is a unique drummer. He is the first one to say that he’s in a league of his own a

nd I agree with him 100%. Charlie Watts told me that in his opinion Ginger is the best rock drummer ever. I now understand what Charlie meant. There is actually a great similarity in the way Ginger and Charlie play the drums. Charlie is obviously much more restrained but both have this very stiff yet aloof, explorative approach (sorry that’s the best way I can describe it) that really knocks me out. They both come from very similar musical backgrounds. It makes sense.

 Michael Derosier from Heart was also at our table. I had to stop for a second and remind myself that I’m in a club, watching one of the most storied drummers of our time and sitting with 2 of the my favorite drummers. Michael was inducted into the Rock and Roll Hall of Fame last year and Alan was just nominated this year. Not a bad tuesday night!

Daniel Glass stopped by the shop yesterday. He was on his way to a gig with the Royal Crown Review swing band up in Bellingham. Daniel recently had a pretty major operation on his bass drum foot. He won’t be able to use it for several weeks. Not enough to stop a pro like Daniel. He’s rigged up his kit to play  the kick drum with his other foot. All those years of coordination exercises pay off once again!! Daniel will be at the shop today for a clinic at 2:00 PM. It’s only $5.00. There’s still room. Come on down and see what this amazing drummer does. There’s a bunch of give aways from DW, Crescent cymbals, Evans and more. See you there!

Some of the greatest experiences and relationships in my professional life have revolved around the huge collection of Elvin’s Jones’s drum gear that I was so fortunate to acquire shortly after he passed. I’ve met so many people via these drums. My life would have turned out much differently had these drums never found there way into my life. The Time capsules article is below. Most of the collection is still available in Donn’s Drum Vault .  ELVIN JONES DRUM COLLECTION .

Download (PDF, 1.57MB)

Here’s the DRUM! Magazine Time Capsules article about Peter Criss’ Love Gun snare. I heard from lots of KISS fans after this article came out. Peter Criss inspired a whole generation of young drummers. I heard so many stories that went something like “I saw Peter play that drum with KISS back in 1977 and I decided right there I was going to be a drummer”  It reminded me of my own personal story. Just switch “Kenney Jones”,The Faces” and “1972″ and you’ve got the story about how I got started playing. I actually tracked Kenney Jones down in England and called him on the phone (way before email) We spent 10 or 15 minutes talking on a few separate calls. He was really nice particularly given the fact that with the time difference I was calling at around 11:00PM!! He told me he still had all of his old Faces Ludwig and Premier drumsets. Oh well …it gives me something to dream about. Enjoy!!

Download (PDF, 1.28MB)

On September 15th Kenny Aronoff came to town to help the Seattle Seahawks set a new world record for the loudest stadium on the planet. Kenny is one of the most powerful drummers ever so it made perfect sense to bring him in to help crank up the volume at Century Link Field. Kenny and the Seahawks Blue Thunder drum line whipped Seattle fans into a frenzy above and beyond the already insane levels they’re famous for. Kenny is a HUGE Indiana Colts fan so he literally had to “”take one for the team” by wearing a Seahawks jersey for the show. I think the fact that his beloved Colts beat the Seahawks on last Sunday helped him recover. Here’s a few pics and some video from the game. That’s me you see in the background with the cell phone camera in the “Jack and Diane” video. Go Hawks!!

Kenny Aronoff will be back in Seattle to attempt another world record for the most drummers playing drumsets simultaneously at the WOODSTICK BIG BEAT 2013 on Sunday November 24th.

VIDEO Kenny Aronoff Joins Seattle Seahawks Blue Thunder 9/15/13


VIDEO Kenny Aronoff Joins Seattle Seahawks Blue Thunder 9/15/13


Here’s my Drum! Magazine Time Capsules column from May of 2013 about Stan Lynch’s custom Tom Petty and The Heartbreakers drum set.

One of the highlights of my job has been getting to know so many of my favorite drummers. Not only is it exciting just to meet the drummers I grew up idolizing but I’ve found out that the better I understand a drummer on a personal level, the better I understand them as a drummer. I suddenly have a whole new lens to “view” thier playing through. It helps me relate to thier music on a much deeper level. Stan Lynch is an extremely enthusiastic guy. He gets still very excited music. It’s so cool to listen to him gush like a teenage fan after seeing his first rock concert. He’s one of the greatest musical minds of our time. This guy is trully a musical genius. Besides the amazing drum parts he delivered on so many Tom Petty records he’s also an amazing record producer. Listen to any of Don Henley’s albums. There’s some real serious musical brainpower up there.

I also got to talk to my good friend Joe Hibbs about this set. He was the artist relations guy at Tama back in the 80s. He could tell you a few stories!! He’s a great guy and one of the most beloved guys in the industry. Enjoy the article. You can see more about this set in DONN’S DRUM VAULT. Enjoy!

Download (PDF, 1.45MB)

I wrote a DRUM! Magazine Time Capsules article about this set back in August/2013. This set was near and dear to me. Michael’s tech Gary Clark used to come into the music store  where I used to work in here in Bellevue, WA back in the early 80s. (Does anyone remember Bandstand East? It was on the corner of NE8th and 116th where Whole Foods is now). He was always rounding up bits of hardware for this set they were customizing for Michael. Michael used it in a clinic Bandstand East presented with Carmine Appice back in about 1982(?) I never saw the set again until a collector friend offered it to me many years later and I jumped on it. Sadly I just heard that Gary Clark died a couple weeks ago. What an enjoyable guy!!

You can see more about this kit in Donn’s Drum Vault.

Download (PDF, 1.39MB)



Here’s my DRUM! Magazine Time Capsules article from July/2013. I acquired several drums from Steve about 15 years ago. This one was so cool I had to hang on to it for awhile. You can see this and lot’s more of the drums I’ve squirreled away in Donn’s Drum Vault 

Download (PDF, 1.46MB)

Here’s the article I wrote in DRUM! magazine last June about Hal Blaine’s legendary “Timbale Kit”. Man, if I could have been in the room when he was creating some of the greatest music of all time on this set! The set is currently on display at the shop. It’s also available in Donn’s Drum Vault

Download (PDF, 1.22MB)

Our 11th annual Woodstick Big Beat is happening Sunday  November 24th at the Emerald Queen Showroom in Tacoma. At Woodstick we attempt to set a new world record for drummers playing drum sets simultaneously while we raise money to support keeping music in our schools. Any drummer can participate. We have a great line up of guest artists and over $10,000.00 in prizes. For complete information and to register CLICK HERE.

I’m having a blast writing my monthly  TIME CAPSULES article for DRUM! Magazine. Check out this one about Keith Moon’s DRB Special snare. You can see more about this drum on our website at: Keith Moon Snare

Download (PDF, 1.52MB)

I’ve been having a blast writing my monthly Time Capsules column for DRUM! magazine. Every issue I write a story about one of the famous drums or sets in my collection. It comes out every month. My column is always on the very last page. Here’s the first one that came out back in the April 2013 issue. Here’s the first one I wrote. It’s about Joey Kramer’s last DW Aerosmith drum set. To see more about this set on our website CLICK HERE.  More to come.

Download (PDF, 1.72MB)

Check out this amazing Radio King set I just picked up. I traded a green sparkle Ludwig set to a pretty major record producer in LA for it. The set is a 24,12,13,16 with a matching Radio King snare. Original Slingerland RK calf heads all around. Very minor fading and a little pitting on the lugs. Otherwise near original condition. I just posted it to the Donn’s Drum Vault webpage on this site. Here’s the link.

I just added some new photos of this set to the website. I got this amazing set several years ago but never had any decent photos of it. I suppose a $29,000 drum set deserves better!! Way back in 1967  a cocktail waitress in a casino in Atlantic City told Buddy that “her son loved his music and had all his records”. Buddy’s response was “Oh yeah? You want those drums? Take ‘em”. They passed through a few collectors until I got them in 2007. Check out the Buddy Rich 1967 Fibes Drum Seti n action.

Here’s a link to the set on the website.



We’re bringing Kenny Aronoff to town this Sunday, 9/15, to help the Seahawks prove once and for all that Seattle football fans are the loudest fans in the world.
 Representatives from The Guinness Book of World Records will be at the Seahawks vs. 49rs game this Sunday to prove what we already know, that Seahawks fans are the loudest and craziest fans in the world. Kenny will join the Seahawks Blue Thunder drum line to help whip Seattle fans into biggest loudest frenzy of all time. I can’t think of a better drummer to lead the charge. If you’re at the game stop by and say “Hi”. If you’re watching the game on NBC Sunday Night Football watch for Kenny and the Blue Thunder. I’ll be there. We’ll shoot some good video and post it right after the game. Go Hawks!


Gene Krupa’ Collection

Here’s a few cool drum items that belonged to Gene Krupa. First is a 13″ Slingerland Radio King tom with a Gene Krupa Orchestra case. I got this from an older guy in his late 70s about 20 years ago. He told me his friend stole it off of the loading dock at the Trianon Ballroom in Seattle in the late 40s or early 50s after a Gene Krupa Orchestra show there. He never knew what to do with it because as much as he loved it, it was stolen from his idol. It sat in his garage all those years until he finally took it into a little consignment shop when he was clearing out his garage. Check out the marks on the tom from the Band Aids he was using for muffling. This was one of the first drums in my collection.

Second is an illuminated GK bandstand. How cool. Then theres an early 70s Sligerland Radio King snare drum. This would have to be one of the last, if not the last snare drums he ever played.  Finally, a collection of letters to his godson on GKO letterhead and an engraved boomerang presented to gene from an Australian drum club in the 50s. I sold the boomerang abut a year ago but everything else is still available on my website. I also have a real to real tape of an interview and live performance that I’ve never been able to listen to as I don’t have a reel to reel player. There’s also several more photos



I’ve been working on restoring a 1941 Ludwig Top Hat and Cane “Swing Sensation” set for the last couple of years. Good things take time. This is definitely a good thing and DEFINITELY taking some time!

For those of you who are not familiar with this set the Ludwig Top Hat and Cane set was a special edition set available in 1940 and 41. It was basically the same as their regular “Swing Sensation” outfit but was unique in it’s art deco top,hat, gloves and cane pattern superimposed over the regular white marine pearl finish. It was the absolute pinnacle of the drum industry at the time. The best that money could buy. Very few were ever made and only about 15 of these sets are known to still exist today. By some strange twist of fate 6 of these sets have come my way. I sold one to U2 producer Daniel Lanois, one to Charlie Watts of the Rolling Stones and one to actor Johnny Depp. I still own 3 of these sets. This set includes a 26″ bass, 11, 13 and 16″ toms and a 7×14 snare drum. The set actually began as 2 sets. I got the bass and snare from one party and the toms from another. Fortunately they all match perfectly. The toms came from the daughter of a mid-western drummer named Henry “Hank” Andrew Leja who had recently passed away. I purchased them from her about a year ago. Initially she was only able to locate the 13 and 16″ toms. I was thrilled when she contacted me earlier this summer and informed me she had found the missing 11″ tom. The bass and snare came from a store also in the mid-west that had had them in stock for many years.

Although all of the drums were in extremely nice condition for thier age, each of them had had some sort of modification that needed to be restored to it’s original condition. All the drums needed a good cleaning and polishing. I sent the set to drum restoration artist Jack Lawton. He masterfully filled extra holes and buffed and polished the shells and hardware. It took a long time but he did an amazing job. You cab see in the photos how he finished the repaired holes with matching pieces of vintage wrap and in some cases artfully re-created the drilled through Top Hat pattern by hand. I just received the missing 11″ tom and sent it to Matt Sinyard of the Bonzo Drum Company to be restored.

You can also see in the original photo from the 1940s the hoops on the 11 and 16 toms are wood and the 13″ tom is metal. I had never seen a Top Hat set with wooden hoops. How or why this set ended up with a combination of wood and metal hoops is anyone’s guess. I figure it was just yet another Ludwig anomaly. They were probably out of metal hoops the day they finished the set and so they used whatever was available at the time. I plan to put wood hoops on all of the toms so they match. I’m still hunting for a pair of era correct 13″ wooden hoops and a set of nickel claws and rods. Anyone have some ?? I expect to have the 11″ tom restored before too long. That will be the final piece in restoring this set to it’s original magnificent condition. I will definitely post photos of the set once it’s complete. Watch for updates and please let me know if you can help me with any of the parts I still need. The set will be for sale once it’s complete. I don’t know the price yet. I’m going to wait until it’s complete before I even start thinking about that. Enjoy!!




Donn Bennett Drum Studio
13212 NE 16th St. #7 {view map}
Bellevue, WA 98005
phone: (425) 747-6145

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